This in-depth lecture presentation will help you gain a significant edge as a piano tuner and technician. Do you understand what an inharmonicity curve is? How do inharmonicity curves interact across the range of the piano? What does a 6:3, 4:2, or 2:1 octave “look” like when represented graphically? How do coincident partials look when represented graphically? Can you calculate the fundamental frequencies of adjacent notes? Do you understand how to convert between Hertz and cents in different ranges of the piano? Put all this knowledge in your toolkit and you’ll begin to have a much deeper understanding of piano tuning by ear. Learn these concepts and meditate on them as your next ear tuning unfolds. Whether you’re a beginner piano technician and want to ensure you are understanding the foundational theory behind ear tuning or a more experienced technician who wants to update your understanding, this video will be invaluable.
The instructor: Eathan Janney BM, PhD, RPT has 17 years of experience in the Piano Industry, which includes work as a technician in New York, Chicago, Washington D.C., New Orleans, New Jersey, Peru and Hong Kong. He established the acclaimed Floating Piano Factory Apprenticeship Program in 2011 and has been teaching piano technology and helping the advancement of the field ever since. His PhD is in Biology with a concentration on Neuroscience, where his research focused heavily on the analysis of birdsong from a musical perspective. Thus, he has a deep understanding of signal processing and statistical analysis, a wonderful complement to his skills and experience in piano technology. He also has taught through CUNY (the City University of New York) at the City College of New York and Hunter College on topics ranging from biology to statistics. His undergraduate degree is in Jazz Piano Performance from Mason Gross School of the Arts which is the conservatory of Rutgers, the State University of New Jersey.
For a while, I wasn’t sure if I should go to Hong Kong. There was a lot to figure out. Would the timing work with my stop in New York? Was it worth the expense? What would be the best use of my time there when I arrived?
However, I did want to meet our two new technicians: Macho and Neway. They contacted me over a year ago to get involved with FPF, and we’ve been working to get them set up in Hong Kong ever since. I figured that by going to visit, I could better determine what our approach should be for this area.
On top of that, I’ve been trying to spend more personal time with my co-workers, and to get to know people better in general. Macho’s family was kind enough to offer me a place to stay, so I decided to go for it. I booked a flight from NYC to Hong Kong.
There’s this phenomenon called brain crack. Have you ever heard of it? I remember the term was introduced years ago, by a vlogger named Ze Frank.
Basically: when you have an amazing idea in your mind, it’s easy to just keep thinking about it. Over and over. Planning all the wonderful details, crafting the perfect plan, dreaming up how great it’s going to be.
But you never actually do it.
You just get addicted to the idea. And there’s no way, if you actually did it, that it could ever live up to the idyllic concept you’ve created. So there you are, caught in a feedback loop, addicted to brain crack.
May 17-19, 2016
After my short but full stay in Cartagena, I flew into New York City. I was excited to return to the Floating Piano Factory home base, catch up with friends, and re-discover the beauty of this town. While I was there, I stayed with friends in Long Island, a couple that I came to know through a long chain of music-related moments…
May 10-17, 2016
It was time to take a break.
I’d been exploring Peru, finding rogue pianos, producing concerts, doing pro bono tunings, hunting down elusive piano technicians, and all the while running Floating Piano Factory from afar. The lines between my work and personal life had become increasingly blurry. I needed a little time to re-center.
Much like paddling into unknown waters on a surfboard, I do have a plan in mind as I move forward—but until the waves come, it’s hard to say exactly how things will turn out. I just keep trying to follow the paths that open up to me, and to pursue the things that feel most worthwhile. Taking some time to travel and relax seemed like a good way to gain some perspective.
Well, just as I started to paddle out, that’s exactly when the waves rolled in. Waves of emails, actually. I’d submitted a scientific paper to an academic journal, it was under review and I found out it would be considered for publication—if I was able to make an array of changes. Here I was, arriving in Colombia, hoping to step away from my work, but this was an assignment that just couldn’t wait.
It was finally time for me to depart from Arequipa.
My destination was Cartagena, which was the best option for a connecting flight to New York. Originally, I’d had grand plans of how I’d get there: I could take a train through Equador, stopping at hostels along the way, or I could climb aboard a river boat in the Amazon and wind through rainforests en route to Colombia. But after all my visits and adventures preparing to leave Peru, I was now a few days behind schedule. I’d have to go straight to Lima, where I could hop a flight directly into Cartagena.